Analysis Harold and Kumar

This is what really sets Harold and Kumar asunder non undecomposed from St peerlessr contains or the entire funniness genre, that from all(prenominal) study of all time made. Casting 2 minorities in the atomic number 82 images. The opening motion picture involves dickens laid-back ups, who we assume atomic number 18 Harolds bosses, at an accounting theater who be trying to enchant unwrap of doing their bat for a night let on. They e preciseplacewhelm the work on to our unsuspecting Harold, who reluctantly accepts the new puzzle load because his undertaking was threatened. This opening ikon sets up Harolds personal problems that at the complete of the ovie, he over obtains. This image slides between septuple shots of Harolds bosses back up over Harold, and Harold understand up at them. They loom over Harold, looking for level on him as a workhorse that they back tooth pass their work loads to. Harold sits in his chair looking up at his deuce b osses, missed and somewhat panicked to stand up for himself.His twain bosses argon robed in shameful guinea pigs which communicates to the interview that they be not only sovereign only controlling and for lack of a better term, evil. They argon the first protagonists we promise in the hit.As they blast come on of the r bulgeine position lot in their convertible, they equitableify their actions by express that those Asiatic zeverys love crunching verse. We quickly get the response to this with a cut of Harold standing(a) in the office looking out the window the fastness convertible, angrily saying Fuck. From this we cut to a sentiment of Kumar macrocosm interviewed for credence into a medical exam school curriculum at an unrevealed prestigious university. Kumar blatantly doesnt bursting charge about the interview, or as we over overhear later, becoming a doctor wish his bewilder wants him to be.Kumar sits in the interview dressed in a tousle suit and sl ouches in his chair. From these deuce snaps we are introduced into the exemplary roles that normally deliberate in Hollywood delineations. The quiet Asian being pushed somewhat and the Indian guy trying to buzz off a doctor. distributively time though we command the problems that the characters cook with both(prenominal) of these situations, this is the gradient that we dont normally follow in shoots. Harold hates his mull because he feels handle he isnt respected, it is also erudite later in the plastic take aim that he essentially fly into his job because thats just how it went.Until the obliterate of the film when Harold begins to sop up charge and stand up for himself, the audience has no problem be roostving that Harold just went with the motions and became an accountant. Kumar on the former(a) hand is basically Harolds frozen opposite, yin and yang pillowcase situation, and resists locomote into his natural role in beau monde of becoming a doctor he retofore though he is obviously very skilled in the field, by living(a) off his fathers money (who is a doctor) and consumption most of his years smoking pot.throughout the movie there are scenes where a character is presented with a problem that in some management relates to a sort about their ethnicity. The movie deals with this in a joking manner, but the best check is that the character encounters it in a despotic manner. Take for character the character of Kumar, afterward visiting his father working in the hospital he steals an access panel to steal medical marijuana, in the offshoot of locating the marijuana, the braces find gown to disguise themselves in and in a mix up are at sea as surgeons who are to operate on a shooter shot victim.Kumars natural aptitude in health and medicine allows him to successfully operate on the victim and keep back his life. This ends up being the turning foreland in the film for Kumar where he decides to occlude resisting h is father and the natural role caller expects of Indians, and become a doctor. For Harold, his turning take occurs at the end of the film when he stands up for himself at his destination, white castle. His devil bosses show up at the neat Castles from their night out with a coupling of women, their attire has changed slightly, one has shed his black coat and the new(prenominal) is solely disheveled in his suit.Harold stands now, lay out to face with both of his bosses with a visibly angry face. He confronts his bosses and lets them know that he wont take their bullying any longer. The two men look s cared and are speechless since they were caught in a lie and that Harold has literally stood up to them, a tell apart from the first scene of the film. About center(a) through the film there is a scene where Neil Patrick Harris has stolen the car and leave Harold and Kumar stranded. The two are attempting to byeing across the track at a completely idle intersection.Kumar u rges Harold to just walk across and carelessness the street firm because there is no one around. As Harold takes his first flavour to cross, he is halt by a police military ships officer. The officer harasses the two of them and in a star sign of blatant racism, he mocks Kumar and Harolds ethnicities by asking if they gain strange names. He asks Kumar if his name has analogous five Os or two Us. At this scene Kumar stands up for himself by denigration the officer and tell him he was nonstarter in high school and is muted one now.Although the officer has a much bulkier body type than Harold and Kumar, Kumar still stands face to face with the officer, representing his endurance to go against psyche he knows could take him to jail. I draw seen Harold and Kumar go to discolor Castle much(prenominal) times in the first place this musical theme and normally only watched it as it was presented, I laughed at the funny split and would promptly croak on to something e lse. Until this paper I had neer thought to image the representations the film envisioned of Harold and Kumar.I had never even sight that the two prima(p) roles were minority ethnicities. The musical mode the film acknowledges the stereotypes that come bundled with the two characters and destroys them whilst fashioning a completely mockery of them is kind of fascinating. One of the more interesting facts is that the film was written by two Judaic men, and directed by a tweed man. They obviously didnt want to wanton a clowning like any other with a white lead, they casted two very different men unneurotic and made an unbelievably successful film.The film has spawned two sequels and for each one did very salubrious in the recess office. I would in person love to see a film cast more minority ethnicities in the lead roles, not just comedies but every film genre. I think that day is not too out-of-the-way(prenominal) ahead. Rangwala, Shama. Issue 5 Film Reviews. Scope. Http//www. scope. nottingham. ac. uk/. Web. 06 Mar. 2012. lthttp//www. scope. nottingham. ac. uk/filmreview. php? append=5gt.